Books II

Here are some more books he'd told me about often, books that he really liked, apart from the ones in a pervious post:

"Master And Commander" by Patrick O'Brien, he read all the books in the serie and really loved it.

A book we both really loved as kids, "Neverending Story" by Michael Ende.

 "When it was published more than a decade ago, this special story within a story captured the hearts and imaginations of millions of readers worldwide. A lonely boy named Bastian is drawn into a beautiful but doomed world. Only Bastian can save this enchanted place of dragons, giants, monsters, and mysteries . . . but will he have to stay there forever? This beautifully repackaged hardcover classic will lure even more readers into its wondrous world."

He really liked old, mythological sagas as well: The Nibelungs, Elder Edda, Beowulf, The Ulster Cycles

He also adored the works of H.P. Lovecraft:

And Edgar Allan Poe:

The Bhagavad Gita was also a book that influenced his way of thinking:

 "The eighteen chapters of The Bhagavad Gita (c. 500 b.c.), the glory of Sanskrit literature, encompass the whole spiritual struggle of a human soul. Its three central themes—love, light, and life—arise from the symphonic vision of God in all things and of all things in God."

A book which influenced his favorite author Otto Rahn, a medieval German Arthurian tale, Parzival by Wolfram von Eschenbach:

"Composed in the early thirteenth century, Wolfram von Eschenbach's Parzival is the re-creation and completion of the story left unfinished by its initiator Chretien de Troyes. It follows Parzival from his boyhood and career as a knight in the court of King Arthur to his ultimate achievement as King of the Temple of the Grail, which Wolfram describes as a life-giving Stone. As a knight serving the German nobility in the imperial Hohenstauffen period, the author was uniquely placed to describe the zest and colour of his hero's world, with dazzling depictions of courtly luxury, jousting and adventure. Yet this is not simply a tale of chivalry, but an epic quest for spiritual education, as Parzival must conquer his ignorance and pride and learn humility before he can finally win the Holy Grail."

Lastly, his other favorite Tolkien book, The Silmarillion:

"The tales of The Silmarillion were the underlying inspiration and source of J.R.R. Tolkien's imaginative writing; he worked on the book throughout his life but never brought it to a final form. Long preceding in its origins The Lord of the Rings, it is the story of the First Age of Tolkien's world, the ancient drama to which characters in The Lord of the RIngs look back and in which some of them, such as Elrond and Galadriel, took part.

The title Silmarillion is shortened from Quenta Silmarillion, "The History of the Silmarils," the three great jewels created by Feanor, most gifted of the Elves, in which he imprisoned the light of the Two Trees that illumined Valinor, the land of the gods. When Morgoth, the first Dark Lord, destroyed the Trees, that light lived on only in the Silmarils; Morgoth seized them and set them in his crown, guarded in the impenetrable fortress of Angband in the north of Middle-earth. The Silmarillion is the history of the rebellion of Feanor and his people against the gods, their exile in Middle-earth, and their war, hopeless despite all the heroisim of Elves and Men, against the great Enemy.

The book includes several other, shorter works beside The Silmarillion proper. Preceding it are "Ainulindale," the myth of Creation, and "Valaquenta," in which the nature and powers of each of the gods is set forth. After The Silmarillion is "Akallabeth," the story of the downfall of the great island kingdom of Numenor at the end of the Second Age; completing the volume is "Of the Rings of Power and the Third Age," in which the events of The Lord of the Rings are treated in the manner of The Silmarillion."